{"id":1320,"date":"2024-04-15T13:07:16","date_gmt":"2024-04-15T13:07:16","guid":{"rendered":"https:\/\/victorwetzel.fr\/?p=1320"},"modified":"2024-04-15T13:09:40","modified_gmt":"2024-04-15T13:09:40","slug":"jeux-petite-symphonie-olympique","status":"publish","type":"post","link":"https:\/\/victorwetzel.fr\/?p=1320","title":{"rendered":"Jeux : petite symphonie olympique"},"content":{"rendered":"\n<p><a href=\"https:\/\/www.orchestredechambredeparis.com\/en\/action\/residence-au-college-mozart\/\" title=\"\">Page d\u00e9di\u00e9e sur le site de l&rsquo;Orchestre de chambre de Paris.<\/a><\/p>\n\n\n\n<p>Un projet p\u00e9dagogique men\u00e9 avec les 5<sup>e<\/sup> A du coll\u00e8ge Mozart \u00e0 Paris et l&rsquo;Orchestre de chambre de Paris. L&rsquo;\u00e9quipe encadrante \u00e9tait compos\u00e9e de Paola Alvil\u00e8s (compositrice), Paul Ramage (compositeur) et moi-m\u00eame ; \u00c9tienne C\u00f4me, enseignant de musique ; Stephie Souppaya (alto), Guillaume Pierlot (hautbois) et Liselotte Schricke (fl\u00fbte), artistes de l&rsquo;Orchestre de chambre de Paris.<\/p>\n\n\n\n<p>En cette ann\u00e9e olympique, le th\u00e8me choisi pour le projet \u00e9tait \u00ab\u00a0le jeu et la performance\u00a0\u00bb. Deux axes de travail ont \u00e9t\u00e9 explor\u00e9s. D&rsquo;une part, \u00e0 l&rsquo;aide des outils du studio (micros, ordinateurs, transformations), les \u00e9l\u00e8ves ont enregistr\u00e9 diverses sources sonores qu&rsquo;ils ont retravaill\u00e9es en studio pour obtenir des compositions musicales. D&rsquo;autre part, les \u00e9l\u00e8ves ont appr\u00e9hend\u00e9 la performance instrumentale en composant des miniatures qu&rsquo;ils ont ensuite jou\u00e9es. Ce travail s&rsquo;appuyait sur des outils comme les partitions graphiques ou le <em>soundpainting<\/em>.<\/p>\n\n\n\n<p>Le projet a fait l&rsquo;objet d&rsquo;une restitution le 8 mars au centre Paris Anim&rsquo; Mathis.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Revue de presse :<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"http:\/\/Revue de presse :  https:\/\/www.paris.fr\/pages\/quand-des-collegiens-parisiens-donnent-le-la-26108\" title=\"\">Article de paris.fr<\/a><\/li>\n\n\n\n<li>Reportage du 12\/13 IDF <a href=\"https:\/\/www.france.tv\/actualites-et-societe\/kestuf\/5706720-kestuf-a-la-decouverte-de-la-musique-classique.html\">sur france.tv<\/a><\/li>\n\n\n\n<li>Reportage <a href=\"https:\/\/www.rfi.fr\/fr\/podcasts\/accents-d-europe\/20240229-mineurs-ou-majeurs-les-jeunes-migrants-sont-particuli%C3%A8rement-vuln%C3%A9rables\" title=\"\">radio sur RFI<\/a> (\u00e0 partir de 14&rsquo;24\u00a0\u00bb)<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Page d\u00e9di\u00e9e sur le site de l&rsquo;Orchestre de chambre de Paris. Un projet p\u00e9dagogique men\u00e9 avec les 5e A du coll\u00e8ge Mozart \u00e0 Paris et l&rsquo;Orchestre de chambre de Paris. L&rsquo;\u00e9quipe encadrante \u00e9tait compos\u00e9e de Paola Alvil\u00e8s (compositrice), Paul Ramage (compositeur) et moi-m\u00eame ; \u00c9tienne C\u00f4me, enseignant de musique ; Stephie Souppaya (alto), Guillaume Pierlot [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1321,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"material-hide-sections":[],"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[25],"tags":[],"class_list":["post-1320","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pedagogie"],"aioseo_notices":[],"jetpack_featured_media_url":"https:\/\/victorwetzel.fr\/wp-content\/uploads\/2024\/04\/illu-college-mozart.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/victorwetzel.fr\/index.php?rest_route=\/wp\/v2\/posts\/1320","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/victorwetzel.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/victorwetzel.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/victorwetzel.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/victorwetzel.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1320"}],"version-history":[{"count":3,"href":"https:\/\/victorwetzel.fr\/index.php?rest_route=\/wp\/v2\/posts\/1320\/revisions"}],"predecessor-version":[{"id":1324,"href":"https:\/\/victorwetzel.fr\/index.php?rest_route=\/wp\/v2\/posts\/1320\/revisions\/1324"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/victorwetzel.fr\/index.php?rest_route=\/wp\/v2\/media\/1321"}],"wp:attachment":[{"href":"https:\/\/victorwetzel.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1320"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/victorwetzel.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1320"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/victorwetzel.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1320"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}